Introduction to European Cinema (2011/12)

  • Created: 13/07/2011 15:40:32
  • Last updated: 10/04/2012 15:46:40
Group by: Section | Type 146 items
  1. Tell us what you think! (1 item)
    1. We'd welcome your feedback on the Library's online reading list system (Talis Aspire). Click on 'Online Reading Lists Survey' and follow the links to complete a quick survey which will help us to make this service better. It should take no more than... click to read more
  2. Availability of Texts (2 items)
    1. Core Films are held in multiple copies in the Short Loan Library. Background Reading is also available in the Library, either in books or journals. Some journal articles are available electronically, mostly from EBSCO and LION
    2. Students are expected to have viewed each film in advance of the tutorial in which it is studied. The background reading lists contain secondary sources from presentations, essays and exam preparation. For your presentation you will need to have consulted sufficient background sources on the core film to enable you to speak authoritatively on it. Essays also need to be actively backed up by sources (about half a dozen) from the background reading. This means reference to and/or quotations from secondary sources and not just the inclusion of a bibliography. You should also consult the background reading when preparing for the exam, though it is not expected that you should be able to quote directly from secondary sources in the exam
  3. Useful Databases and Websites (5 items)
    1. It's worth browsing these from time to time, since new material appears regularly, and/or to search them with specific keywords which you think might be productive.
    2. Website | Recommended
      2011-01-26T11:18:32+00:00
    3. Website | Recommended
      2011-01-26T11:18:35+00:00
    4. Among open-access film sites, the most useful is IMDb which contains useful reviews of films.
    5. Website | Recommended
      2011-01-26T11:21:39+00:00
  4. General Background Reading for the Module (15 items)
    1. Access the eBookEuropean film theory and cinema: a critical introduction - Aitken, Ian, 2001
      Book | Recommended
      2011-01-26T11:27:57+00:00
    2. From mouse to mermaid: the politics of film, gender, and culture - Bell, Elizabeth, Haas, Lynda, Sells, Laura, 1995
      Book | Recommended
      2011-01-26T09:30:47+00:00
    3. Chapter | Recommended
      2011-01-26T09:30:56+00:00
    4. Cinema, ideology, politics - Ellis, John, 1977
      Book | Recommended
      2011-01-26T09:31:12+00:00
    5. European identity in cinema - Everett, Wendy, 2005 (electronic resource)
      Book | Recommended
      2012-02-13T14:20:15+00:00
    6. The seeing century: film, vision and identity - Everett, Wendy, 2000
      Book | Recommended
      2011-01-26T09:31:31+00:00
    7. The state of European cinema: a new dose of reality - Finney, Angus, 1996
      Book | Recommended
      2011-01-26T09:31:42+00:00
    8. European cinema: an introduction - Forbes, Jill, Street, Sarah, 2000
      Book | Recommended
      2011-01-26T09:31:54+00:00
    9. Politics and film - Furhammar, Leif, Isaksson, Folke, 1971
      Book | Recommended
      2011-01-26T09:32:11+00:00
    10. 100 years of European cinema: entertainment or ideology? - Holmes, Diana, Smith, Alison, 2000
      Book | Recommended
      2011-01-26T09:32:19+00:00
    11. Art of the cinema in ten European countries - Lovell, Alan, Council of Europe. Council for Cultural co-operation, 1967
      Book | Recommended
      2011-01-26T09:32:28+00:00
    12. Book | Recommended
      2011-01-26T09:32:40+00:00
    13. Propaganda, politics and film 1918-45 - Pronay, Nicholas, Spring, D.W., Interuniversity History Film Consortium, 1982
      Book | Recommended
      2011-01-26T09:32:49+00:00
    14. Politics and cinema - Sarris, Andrew, 1978
      Book | Recommended
      2011-01-26T09:32:56+00:00
    15. In addition to the above recommendations, the readings for the Film Studies Core Modules (Reading Film and Approaches to Film) will also be very important for the technical analysis of the films, which will play an important part of both seminar work and assessment.
  5. Week by Week Readings (123 items)
    1. Week One (1 item)
      1. Introduction to the module and administration.
    2. Week Two (14 items)
      1. Core Film (1 item)
        1. The Seventh seal - Bergman, Ingmar, Ekelund, Allan, Björnstrand, Gunnar, Ekerot, Bengt, Poppe, Nils, Sydow, Max von, Andersson, Bibi, Gill, Inga, Hansson, Maud, Landgré, Inga, Lindblom, Gunnel, Fischer, Gunnar, Wallén, Lennart, Nordgren, Erik (videorecording)
          Audio Visual | Essential
          2011-01-26T09:38:24+00:00
      2. Background Reading (12 items)
        1. The passion of Ingmar Bergman - Gado, Frank, 1986
          Book | Recommended
          2011-01-26T09:38:41+00:00
        2. Bergman vs. "Bergman." - Kent Jones, 2007
          Article | Recommended
          2011-01-26T09:38:52+00:00
        3. Ingmar Bergman: essays in criticism - Kaminsky, Stuart M, Hill, Joseph F, 1975
          Book | Recommended
          2011-01-26T09:39:06+00:00
        4. Theses on Cinema as Philosophy - Paisley Livingston, 2006-12
          Article | Recommended
          2011-01-26T09:39:25+00:00
        5. Article | Recommended
          2011-01-26T09:39:33+00:00
        6. Article | Recommended
          2011-01-26T09:39:40+00:00
        7. Book | Recommended | This book is on order and should be available shortly.
          2011-01-26T12:01:27+00:00
        8. Article | Recommended
          2012-02-07T14:09:57+00:00
        9. Bergman's Persona - Susan Sontag
          Chapter | Recommended
          2011-01-26T09:44:57+00:00
        10. Article | Recommended
          2011-01-26T09:51:24+00:00
        11. Access the eBookIngmar Bergman: a reference guide - Steene, Birgitta, 2005
          Book | Recommended
          2011-01-26T09:51:34+00:00
        12. Article | Recommended
          2011-01-26T09:51:43+00:00
      3. Presentation, Discussion and Essay Topics (1 item)
          1. Discuss the use of mise-en-scene in The Seventh Seal.
          2. Critically assess the treatment of religious ideas and death in The Seventh Seal.
    3. Week Three (9 items)
      1. Core Film (1 item)
        1. Persona - Bergman, Ingmar, Ullmann, Liv, Andersson, Bibi, 1966 (videorecording)
          Audio Visual | Essential
          2011-01-26T09:56:12+00:00
      2. Background Reading (7 items)
        1. See Week Two for general works on Bergman.
        2. Article | Recommended
          2011-01-26T09:57:17+00:00
        3. Chapter | Recommended
          2011-01-26T09:57:35+00:00
        4. Article | Recommended
          2011-01-26T09:57:44+00:00
        5. Ingmar Bergman's Persona - Michaels, Lloyd, 2000
          Book | Recommended
          2011-01-26T09:58:05+00:00
        6. Article | Recommended
          2011-01-26T09:58:14+00:00
        7. Article | Recommended
          2011-01-26T09:58:26+00:00
      3. Presentation, Discussion and Essay Topics (1 item)
          1. Discuss the key elements of narrative and character in Persona.
          2. Critically assess the treatment of trauma in Persona.
    4. Week Four (19 items)
      1. Core Film (1 item)
        1. The 400 blows - Truffaut, François, Constantin, Jean, Léaud, Jean-Pierre, Maurier, Claire, Remy, Albert, Moussy, Marcel, 1959 (videorecording)
          Audio Visual | Essential
          2011-01-26T10:01:12+00:00
      2. Background Reading: La Nouvelle Vague/The New Wave (6 items)
        1. Book | Recommended
          2011-01-26T10:01:24+00:00
        2. Book | Recommended
          2011-01-26T10:01:37+00:00
        3. Screening the text: intertextuality in New Wave French cinema - Kline, Thomas Jefferson, 1992
          Book | Recommended
          2011-01-26T10:01:55+00:00
        4. Book | Recommended
          2011-01-26T10:02:12+00:00
        5. Book | Recommended
          2011-01-26T10:02:21+00:00
      3. Background Reading: Les 400 Coups/The 400 Blows (11 items)
        1. Francois Truffaut - Allen, Don, 1974
          Book | Recommended
          2011-01-26T10:02:38+00:00
        2. Article | Recommended
          2011-01-26T10:02:49+00:00
        3. From the New Wave to the New Hollywood - David Galenson, Joshua Kotin, 2010
          Article | Recommended
          2011-01-26T10:03:01+00:00
        4. Chapter | Recommended
          2011-01-26T10:03:18+00:00
        5. Francois Truffaut - Insdorf, Annette, 1994
          Book | Recommended
          2011-01-26T10:03:23+00:00
        6. Les 400 coups (1959) - Ingram, Robert, Holmes, Diana, Wolverhampton. University. School of Languages and European Studies, 1995
          Book | Recommended
          2011-01-26T10:03:33+00:00
        7. Francois Truffaut - Holmes, Diana, Ingram, Robert, 1998
          Book | Recommended
          2011-01-26T10:03:45+00:00
        8. Truffaut's Wonderful Certainties - David Johnson, 2007
          Article | Recommended
          2011-01-26T10:04:12+00:00
        9. Article | Recommended
          2011-01-26T10:04:52+00:00
        10. Article | Recommended
          2011-01-26T10:05:05+00:00
        11. Antoine Doinel in the zoetrope - Daniel Towner, 1990
          Article | Recommended
          2011-01-26T10:05:18+00:00
      4. Presentation, Discussion and Essay Topics (1 item)
          1. Discuss the key elements of editing and narrative structure in 400 Blows.
          2. Critically assess the treatment of 'juvenile delinquency' in 400 Blows.
    5. Week Five (4 items)
      1. Core Film (1 item)
        1. Jules and Jim - Truffaut, François, Werner, Oskar, Serre, Henri, Moreau, Jeanne, Roché, Henri Pierre (videorecording)
          Audio Visual | Essential
          2011-01-26T10:07:17+00:00
      2. Background Reading (2 items)
        1. See Week Four for general works on The New Wave and Truffaut.
        2. Article | Recommended
          2011-01-26T10:07:58+00:00
      3. Presentation, Discussion and Essay Topics (1 item)
          1. Discuss the interplay of different cinematic conventions and styles in Jules et Jim.
          2. Attempt to define the central thematic concerns of Jules et Jim.
    6. Week Six (10 items)
      1. Core Film (1 item)
        1. Vivre sa vie: my life to live - Godard, Jean Luc, Karina, Anna, Rebbot, Sady, Sacotte, Marcel (videorecording)
          Audio Visual | Essential
          2011-01-26T10:10:06+00:00
      2. Background Reading (8 items)
        1. See Week Four for general works on The New Wave.
        2. Book | Recommended
          2011-01-26T10:10:52+00:00
        3. The films of Jean-Luc Godard - Dixon, Wheeler Winston, 1997
          Book | Recommended
          2011-01-26T10:11:23+00:00
        4. Godard and others: essays on film form - Giannetti, Louis D., Godard, Jean Luc, 1975
          Book | Recommended
          2011-01-26T10:11:34+00:00
        5. Screening the text: intertextuality in New Wave French cinema - Kline, Thomas Jefferson, 1992
          Book | Recommended
          2011-01-26T10:11:46+00:00
        6. The radical faces of Godard and Bertolucci - Loshitzky, Yosefa, 1995
          Book | Recommended
          2011-01-26T10:11:56+00:00
        7. The mandatory proxy - Peter Matthews, 2006
          Article | Recommended | This article is not available in the Library.
          2012-02-08T16:38:52+00:00
        8. Article | Recommended
          2011-01-26T10:12:22+00:00
      3. Presentation, Discussion and Essay Topics (1 item)
          1. Discuss the ways in which Godard seeks to reinterpret conventional cinematic techniques in Vivre sa Vie, especially in the area of narrative.
          2. Discuss the account Godard gives in Vivre sa Vie of prostitution and criminality.
    7. Week Seven (4 items)
      1. Core Film (1 item)
        1. Weekend - Godard, Jean Luc, Coutard, Raoul, Duhamel, Antoine, Darc, Mireille, Léaud, Jean-Pierre, Yanne, Jean (videorecording)
          Audio Visual | Essential
          2011-01-26T10:14:50+00:00
      2. Background Reading (2 items)
        1. For The New Wave and Godard, see Weeks Four and Six.
        2. Video movies - R Pitman, 1991
          Article | Recommended
          2011-01-26T10:17:41+00:00
      3. Presentation, Discussion and Essay Topics (1 item)
          1. Discuss the role of mise-en-scene in creating meaning in Weekend.
          2. Critically assess Godard's critique of Western society and politics in Weekend.
    8. Week Eight (18 items)
      1. Core Film (1 item)
        1. Blow-up - Antonioni, Michelangelo, Redgrave, Vanessa, Hemmings, David, Miles, Sarah, Cortázar, Julio (videorecording)
          Audio Visual | Essential
          2011-01-26T10:19:43+00:00
      2. Background Reading (16 items)
        1. Book | Recommended
          2011-01-26T10:20:12+00:00
        2. Book | Recommended
          2011-01-26T10:20:25+00:00
        3. The films of Michelangelo Antonioni - Brunette, Peter, 1998
          Book | Recommended
          2011-01-26T10:20:38+00:00
        4. Book | Recommended
          2011-01-26T10:20:47+00:00
        5. Article | Recommended
          2011-01-26T10:20:58+00:00
        6. Article | Recommended
          2011-01-26T10:21:08+00:00
        7. Transcending Metaphor: Antonioni's Blow-Up - Richard Lee Francis, 1985
          Article | Recommended
          2011-01-26T10:21:18+00:00
        8. Close viewings: an anthology of new film criticism - Lehman, Peter, 1990
          Book | Recommended | especially pp. 262-281
          2011-01-26T10:21:34+00:00
        9. Article | Recommended
          2011-01-26T10:22:10+00:00
        10. Antonioni's blow-up: myth, order, and the photographic image - Pressler, Michael, Reid, Robert E (xerox)
          Article | Recommended
          2011-01-26T10:22:22+00:00
        11. Chapter | Recommended
          2011-01-26T10:22:59+00:00
        12. Snapshots of the sixties - Savage, Jon, Reid, Robert E (xerox)
          Article | Recommended
          2011-01-26T10:23:09+00:00
        13. Antonioni's Heideggerian Swerve - John Schliesser, 1998
          Article | Recommended
          2011-01-26T10:23:20+00:00
        14. Sexual noise - Wagstaff, Christopher, Reid, Robert E (xerox)
          Article | Recommended
          2011-01-26T10:23:33+00:00
        15. Book | Recommended
          2011-01-26T10:23:43+00:00
        16. Article | Recommended
          2011-01-26T10:23:52+00:00
      3. Presentation, Discussion and Essay Topics (1 item)
          1. Discuss the importance of Antonioni's cinematic style and techniques for an understanding of the issues raised by Blow-Up.
          2. How representative a view of the 'swinging sixties' emerges from Blow-Up?
    9. Week Nine (11 items)
      1. Core Film (1 item)
        1. The Battle of Algiers - Pontecorvo, Gillo, Haggiag, Brahim, Martin, Jean, Saadi, Yacef, 1966 (videorecording)
          Audio Visual | Essential
          2011-01-26T10:26:48+00:00
      2. Background Reading (9 items)
        1. In Fact..., 2003
          Article | Recommended
          2011-01-26T10:27:01+00:00
        2. The Making of The Battle of Algiers - Irene Bignardi, 2000
          Article | Recommended
          2011-01-26T10:27:12+00:00
        3. Article | Recommended
          2011-01-26T10:27:28+00:00
        4. The wretched of the earth - Fanon, Frantz, 2001
          Book | Recommended
          2011-01-26T10:27:36+00:00
        5. Article | Recommended
          2011-01-26T10:27:47+00:00
        6. Article | Recommended
          2011-01-26T10:27:57+00:00
        7. Article | Recommended
          2011-01-26T10:28:18+00:00
        8. The Dictatorship of Truth - Edward Said, 2000
          Article | Recommended
          2011-01-26T10:28:28+00:00
      3. Presentation, Discussion and Essay Topics (1 item)
          1. Critically evaluate the ways in which the narrative and stylistic methods contribute to our understanding of the overall themes of The Battle of Algiers.
          2. The Battle of Algiers has been praised for its "even-handedness" in its treatment of the conflict. Should we agree with this assessment?
    10. Week Ten (17 items)
      1. Core Films (2 items)
        1. Un chien andalou [and] L'age d'or - Bunuel, Luis, Dali, Salvador, Duverger, Albert, Mareuil, Simone, Batcheff, Pierre, Modot, Gaston, Lys, Lya (videorecording)
          Audio Visual | Essential
          2011-01-26T10:33:12+00:00
        2. The discreet charm of the bourgeoisie - Buñuel, Luis, Rey, Fernando, Seyrig, Delphine, Audran, Stéphane (videorecording)
          Audio Visual | Essential
          2011-01-26T10:33:23+00:00
      2. Background Reading: Buñuel/Un Chien Andalou (10 items)
        1. Article | Recommended
          2011-01-26T10:34:00+00:00
        2. Provocateur of surreal screens - Alberto Casciero, 1993
          Article | Recommended
          2011-01-26T10:34:31+00:00
        3. Un chien andalou/L'Age d'or - Randall Conrad, 2005
          Article | Recommended
          2011-01-26T10:34:42+00:00
        4. Luis Bunuel's Quarrel With the Church - Maria Elena De las Carreras-Kuntz, 1999
          Article | Recommended
          2011-01-26T10:34:55+00:00
        5. Luis Bunuel - Durgnat, Raymond, 1977
          Book | Recommended
          2011-01-26T10:35:03+00:00
        6. Book | Recommended
          2011-01-26T10:35:16+00:00
        7. Article | Recommended
          2011-01-26T10:35:26+00:00
        8. Dada and surrealist film - Kuenzli, Rudolf E., 1996
          Book | Recommended
          2011-01-26T10:35:35+00:00
        9. Article | Recommended
          2011-01-26T10:35:45+00:00
        10. Article | Recommended
          2011-01-26T10:35:58+00:00
      3. Background Reading: The Discreet Charm of the Bourgeoisie (4 items)
        1. Article | Recommended
          2011-01-26T10:36:12+00:00
        2. "Above all...don't perform!" - Julie Jones, 2008
          Article | Recommended
          2011-01-26T10:36:20+00:00
        3. Article | Recommended
          2011-01-26T10:36:29+00:00
        4. The Discreet Charms of Luis Bunuel - George Rafael, 2000
          Article | Recommended
          2011-01-26T10:36:42+00:00
      4. Presentation, Discussion and Essay Topics (1 item)
          1. Discuss the continuity and divergences in cinematic approaches between the two Buñuel films.
          2. Critically assess Buñuels's critique of borgeois behaviour.
    11. Week Eleven (15 items)
      1. Core Films (2 items)
        1. Last year in Marienbad - Resnais, Alain, Seyrig, Delphine, Albertazzi, Giorgio, Pitoeff, Sacha (videorecording)
          Audio Visual | Essential
          2011-01-26T10:39:54+00:00
        2. The draughtsman's contract - Greenaway, Peter, Suzman, Janet, Lambert, Anne-Louise, Cunningham, Neil, Fraser, Hugh, British Film Institute, 1982 (videorecording)
          Audio Visual | Essential
          2011-01-26T10:40:04+00:00
      2. Background Reading: Resnais (5 items)
        1. Article | Recommended
          2011-01-26T10:45:37+00:00
        2. Marienbad Revisited - Jill Forbes, 1982
          Article | Recommended | Not available from Keele Library collection
          2011-01-26T10:45:48+00:00
        3. Screening the text: intertextuality in New Wave French cinema - Kline, Thomas Jefferson, 1992
          Book | Recommended
          2011-01-26T10:46:34+00:00
        4. Sexism in the French New Wave - Jonathan Rosenbaum, 2009
          Article | Recommended
          2011-01-26T10:46:47+00:00
        5. Article | Recommended
          2011-01-26T10:46:58+00:00
      3. Background Reading: Greenaway (7 items)
        1. Peter Greenaway: interviews - Greenaway, Peter, Gras, Vernon W., Gras, Marguerite, 2000
          Book | Recommended
          2012-01-24T09:25:22+00:00
        2. The films of Peter Greenaway: sex, death, and provocation - Keesey, Douglas, 2006
          Book | Recommended
          2011-01-26T10:47:55+00:00
        3. The films of Peter Greenaway - Lawrence, Amy, 1997
          Book | Recommended
          2011-01-26T10:48:15+00:00
        4. Peter Greenaway's Encyclopaedism - M. E. Maciel, 2006-07-01
          Article | Recommended
          2011-01-26T10:48:21+00:00
        5. Webpage | Recommended
          2011-01-26T10:48:34+00:00
        6. Article | Recommended
          2011-01-26T10:48:48+00:00
        7. Chapter | Recommended
          2011-01-26T10:48:57+00:00
      4. Presentation, Discussion and Essay Topics (1 item)
          1. Dicuss ways in which Last Year at Marienbad influences The Draughtman's Contract.
          2. Discuss the figure of Mr. Neville as a representation of the artist, and of the auteur.
    12. Week Twelve (1 item)
      1. Review, overview, conclusions and exam preparation.
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